‘Learn, Eat, Heal’ — Kimchi Life Festival arrives at a perfect time for Cal Anderson Park

Che Sehyun

While the neighborhood braces for some most unwanted visitors at Cal Anderson later this month, this coming weekend will bring a more soul nourishing event to the popular Capitol Hill park.

Seattle artist Che Sehyun is bringing a new The Future Ancient project to Capitol Hill Sunday for a day of community kimchi making, music, performances, foods, creative activities, and even massage and acupuncture. Make plans to be part of the first Kimchi Life Festival:

Kimchi Life honors, uplifts and shares ancient Indigenous Corean cultural technology, ceremony and consciousness to help support an indigenous future in which all people thrive with peace and dignity, in good relation to each other and the natural world. We feature international master artist and Indigenous Corean culture bearer Kim Bong Jun, local Corean artist Bird Over Mountain who will rap their Kimchi Song, Ancient African stories from Malian Jelli / Griot, Ibrahim Arsalan, local Hip Hop Artists Ascended Reality and Beatbox Panda and Michone’s Caribbean food and more!

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In court-embattled Denny Blaine Park, a show of defiance, nudity… and puppets

While the battle to keep Denny Blaine nude is playing out in court, members of the queer and nudist communities that love and utilize the park have continued to visit the popular beach this summer.

In a city where developers and wealthy NIMBYs seem to be nearly constantly scheming to carve up public space for private gain, revolutionary energy is also bubbling up at Denny Blaine in the form of puppets, nudity, and unapologetic queer defiance.

This weekend, guerrilla performances transformed the lakeside park into a stage for radical satire, bodily liberation, and a middle finger to privatization. The shows were part absurdist comedy, part scathing political critique, and directed their ire at figures like Stuart Sloan, the wealthy neighbor who has spent years trying to sanitize Denny Blaine, and Mayor Bruce Harrell’s laughably inept attempts to placate the NIMBYs.

One performance swung between nostalgia for freer times and biting commentary on whose bodies get to take up space. “These are my boobies!” declared an actor, fully nude except for a top hat. It was cheeky but the message hit home. Freedom has some rough edges — and the battle isn’t done. Continue reading

LOVECITYLOVE — ShopRite edition — joins effort to keep 15th Ave E active in long wait for redevelopment

(Image: Love City Love)

(Image: Love City Love)

A Capitol Hill street living in limbo awaiting a wave of redevelopment.

An arts venue that has made its way through the liminal spaces created by the neighborhood’s relentless change.

It’s the perfect match.

You can add the everything you need and more spirit of dearly departed neighborhood convenience store ShopRite to the mix.

LOVECITYLOVE has landed on 15th Ave E.

The nomadic arts venture that has made its home in a variety of soon-to-be-demolished, destined-for-redeveloped storefronts across Capitol Hill and Seattle is now resident at 15th and Republican in the emptied out cornershop where ShopRite served the neighborhood for 30 years.

It is beginning its days on this new corner of the Hill with a schedule of open mics, sewing classes, and cafe hours. Continue reading

This 2025 Pulitzer winner honed her work in Volunteer Park and covering CHOP

Hulls inside the Volunteer Park Conservatory, where she used to often work at the bench under the staghorn fern

 

By Matt Dowell

This 2025 Pulitzer finalist wrote her novel in a Capitol Hill coworking space.

This 2025 Pulitzer Prize winner once made Volunteer Park her studio.

Tessa Hulls is always on the move. Recently back in Seattle but with plans to leave soon for the wilderness, she was “mostly just biking all over the city being deeply overwhelmed by summer” when CHS reached out to talk.

In May, Hulls’s graphic memoir Feeding Ghosts won the 2025 Pulitzer Prize for Memoir or Autobiography. She found out in the middle of a shift at the legislative lounge in the Alaska State Capitol building, where she’s worked seasonally.

The work, published in Spring 2024, traces her maternal family’s arc from Shanghai during the Chinese Communist revolution through her mother’s immigration to the United States to Hulls’s own upbringing in Northern California. The story is told within the context of unprocessed trauma and mental illness, particularly that of her grandmother who suffered a mental breakdown after publishing her own successful memoir.

The memoir has been lauded for its information-packed but approachable artistic style. According to one review: “Despite the extreme weight of the story, the density of the historical context and the way every bit of space is utilized to communicate pictorially or verbally, that information is surprisingly digestible — and even nourishing.”

Hulls honed that skill, in part, within our city limits, going to the Seattle Public Library every week for a year to check out and study graphic novels. She made Capitol Hill home in 2012 after a cross-country bike trip. Though she’s traveled to and lived in places far and wide since then — including a stint as a bartender in Antarctica — she continues to hold ties to the neighborhood. Continue reading

20th anniversary HUMP! coming to Dan Savage’s neighborhood this weekend

Capitol Hill’s very own Dan Savage is bringing a neighborhood Pride approach to this year’s 20th edition of his annual HUMP! film festival that was born in the days before “amateur” was the most popular category on Pornhub and has grown into a showcase of “unapologetically human, sex-positive short films—each five minutes or less—crafted by independent filmmakers and everyday people from around the world.”

With planned smaller neighborhood screenings in Seattle for the 20th anniversary year of the festival, of course the sex columnist/podcaster/film buff is bringing HUMP! to his home turf. HUMP! is coming to 15th Ave E’s Quality Flea Center this Saturday: Continue reading

SIFF financial struggles add to uncertainty around reopening of Capitol Hill’s Egyptian Theater

The 570 seats of Capitol Hill’s historic Egyptian Theater have been empty since last fall. News of layoffs and financial issues at SIFF are making its path to reopening even more uncertain.

The Seattle International Film Festival says the E Pine theater will remain shuttered for the indefinite future as it has announced it is laying off nine full-time employees — around a fifth of its administrative staff — and more cutbacks.

“SIFF is downsizing and restructuring in order to remain open and continue to deliver on its mission,” the announcement reads. “SIFF has continued to struggle financially post-pandemic and revenue has not kept up with our expenses, specifically fixed costs, including staffing, rent and mortgage payments, insurance, and ongoing maintenance.”

The Egyptian’s struggles stem from another category — terrible luck. Last November, a devastating water leak in the building’s fourth floor mainline damaged several floors of the five-story, 110-year-old structure which houses the former Masonic Temple where SIFF Cinema Egyptian operates. Continue reading

This 2025 Pulitzer finalist wrote her novel in a Capitol Hill coworking space

Levine

If you visited the Cloud Room co-working space on weekends over the past few years, you might have spotted Stacey Levine, the writer and long-time Capitol Hill resident who this month learned she was one of four finalists for the 2025 Pulitzer Prize in Fiction for her novel Mice 1961.

“Every weekend, I would go there and work on this novel,” said Levine. “I wrote most of it over eight years at the Cloud Room. On the way, I’d pass all these people eating dinner out and having fun, and I was very grumpy because I had to keep working on the book.”

Those years of hard work paid off. In addition to the Pulitzer nod, The Washington Post favorably reviewed Mice 1961—describing Levine as a “gifted performance artist of literary fiction—part French existentialist and part comic bomb-thrower” and the novel as “a brilliant chemistry of alienation and familiarity I’ve never seen anywhere else”—and included it in their list of 50 Notable Works of Fiction in 2024.

A Cold War era novel set in South Florida on the eve of the Bay of Pigs invasion, Mice 1961 follows three unforgettable characters: the orphaned siblings Jody and her 18-year-old younger sister Ivy, nicknamed “Mice” and cruelly bullied by teenagers for her albinism, and their housekeeper, Girtle, who sleeps behind the sisters’ couch and narrates the novel. Jody, Mice, and Girtle are surrounded by odd neighbors, all preparing for an elaborate neighborhood potluck.

The novel is witty, with Levine’s prose evocative. She describes Mice as a “white-pink creature” with “milkscape” features—“peel-thin ears,” “jittering eyes,” and “cream-orange-tipped white lashes, much like two thin, tidy rows of camel hair.” Mice’s “bottomless absence of color” renders her “a shadow in reverse.”

Levine, who also teaches composition, creative writing, and poetry at Seattle Central College, has published three novels and two short story collections, earned a PEN Fiction Award and The Stranger Genius Award for Literature, and was twice named a Washington State Book Award Finalist. She spoke to CHS during a phone interview the day after the Pulitzer honors were announced.

Congratulations. When did you first learn your novel was a finalist for the Pulitzer Prize in Fiction?

Thanks! I was in my office at Seattle Central College. Karen Maeda Allman, former events programmer at Elliott Bay Books, posted something general about “Tessa Hulls, Stacey Levine, and Pulitzer Prize.” It didn’t make any sense to me. I hadn’t heard anything from the Pulitzer Prize Board. I still haven’t. I think maybe they’re known for being silent once they make their decisions. Continue reading

Ready for the punchline? Emerald City Comedy Club reopens after overhaul and upgrades above Broadway

(Image: CHS)

By Calvin Jay Emerson

“The first-ever show here. Holy shit,” said comedian Duncan Trussell once he stepped into the limelight of Emerald City Comedy Club. “We should bless this place. This feels like holy ground right now.”

After a spring renovation and restart of the business, the former Comedy/Bar above Broadway has grown from a tiny space into a club its backers hope will fit with the neighborhood’s respected performance venues like Neumos and Chop Suey and even Julia’s down the street.

With double the seats as before, Emerald City Comedy Club is now big enought that it technically has nosebleeds, seats far enough away from the stage that they’re supplemented with two, flat-screen TVs which provide a better view.

In the hours before Trussell took the stage for the first show in the overhauled venue last week, the club’s employees were rushing around to complete the finishing touches. Owner Dane Hesseldahl had rushed back home to pick up a package full of those little, electronic candles. Continue reading

Reverie Ballroom starts next dance on Capitol Hill with renovations, new paint, and plans for new connections like yoga, circus, and burlesque

Opening night looked familiar at the Reverie (Image: Reverie Ballroom)

But change is coming with renovations, overhauls, and new paint (Image: Reverie Ballroom)

By Domenic Strazzabosco

Reverie Ballroom, housed on the second floor of the Capitol Hill’s Odd Fellows Hall on the corner of Pine and 10th, is up and running after taking over after 28 years of swing dance, waltz, salsa and more from the Century Ballroom.

“More than anything, I’m holding a vision of this place being a thriving arts center where people can come and try a little bit of all kinds of things,” said Eliza Wilder, the executive director of Reverie Ballroom.

CHS Seattle reported in January that Century Ballroom’s owners Hallie Kuperman and Alison Cockrill were not renewing their lease on the space and that a new group was stepping forward to continue using it in a similar fashion to the last three decades.

Though the transition happened on April 1, there wasn’t a single day when dance classes weren’t available. Wilder noted that since so much of the Seattle dance community relies on the rooms, she feared that even one day off would be too much for everyone. Continue reading

Community meeting will discuss Lee Center demolition to make way for Seattle University Museum of Art

SUMA design rendering by Olson Kundig

(Image: Lee Center for the Arts)

By Matt Dowell

An April 22nd meeting has been set between Seattle University and the community following concerns about the school’s plans to demolish its Lee Center for the Arts to make way for a new art museum on 12th Ave. An often behind-the-scenes public body flexed its muscles to get the meeting on the books after “unprecedented” public interest in the project’s early stages.

A year ago, Seattle U announced that a major donation from property developer Dick Hedreen, including his family’s 200-piece, $300 million collection of paintings, pottery, photography, etchings, and sculptures, would culminate in a new Seattle University Museum of Art (SUMA). When the university announced that the plans meant the Lee Center would have to go, students and faculty pushed back, saying that the building was a “critical space for students and community members” and that planned replacements were inadequate.

Now, the Seattle University’s Implementation Advisory Committee has stepped up. IACs are groups of city-appointed volunteers who monitor the development of Seattle’s major institutions – universities, colleges, and hospitals. The institutions are granted special zoning rules but must adhere to agreements made with their surrounding communities. Continue reading