Lowbrow Opera Collective’s inaugural production will be the West coast premiere of a new opera titled #adulting. The story follows four roommates, recently brought together via craigslist, through their first forays into adulthood. Ruth, Tony, Bucket, and Drew come across a lot of challenges – mainly their own lack of practical life skills. The show is equal parts self deprecating humor and a giant middle finger to anyone who says millennials can’t get shit done. Mostly absurd and just a little raunchy, the opera uses a variety of musical styles to portray vignettes of modern lives, from the joy of a first apartment to the horror of a stubborn, mysterious and icky stain you find on the only couch you could afford.
John Ervin Brooks, music
Natalie Stewart Elder, libretto
Stefan Melnyk, additional music and libretto
Austin Nucklos, additional music and libretto
Katie Kelley, director
Christine Oshiki, assistant director
Kat Henwood, costume and set designer
Becca Pauza, stage manager and props designer
Nic Varela, marketing director for Lowbrow Opera Collective
Dr. William Bryant, accompanist
Sam Peters, rehearsal accompanist
Jared White as Drew, Dan the Van Man
Christine Oshiki as Ruth
Eric Angus Jeffords as Tony
Krissy Terwilliger as Bucket
Nic Varela as Couch, Student Debt Monster, Stain, Postmates, Employer, Customer Support, Judge Judy, Executioner, Ghost Billy Mayes, Prospective Roomie #1
Katie Kelley as Siri, Groceries, Other Alarm Clock, Prospective Roomie #2
Bread Crumbs [MAP’s Night Off with Jasmine Joshua]
18th & Union, an arts space
1406 18th Avenue
Seattle, WA 98122
Bread Crumbs is a hilarious and poignant autobiographical journey of a 34-year-old parent of twins who came out as nonbinary a year ago and is trying to figure out what the hell that even means. Just 4 performances, between March 11 – 26, written & performed by Jasmine Joshua.
Tickets to all MAP shows are Name-Your-Own-Price.
Monday, March 11 @ 8:00 PM
Monday, March 18 @ 8:00 PM
Monday, March 25 @ 8:00 PM
Tuesday, March 26 @ 8:00 PM
Performing March 8-30, MAP Theatre presents a very human story about a chimpanzee. TREVOR is a MAP-flavored tragicomedy about family, the nature of love, and the lies we tell ourselves to avoid facing sad and terrible truths. At the center of this world are Trevor, an almost-famous chimpanzee, and his owner & “mom” Sandra. Trevor’s getting older and more uncontrollable by the day, but Sandra knows Trevor would never hurt a fly . . . not on purpose, anyway. A painfully funny satire exploring how flawed communication can lead to disaster.
Tickets to all MAP shows are Name-Your-Own-Price.
Albatross Theatre Lab proudly presents its inaugural production: Richard Greenberg’s Three Days of Rain, directed by Simon Irving.
Three Days of Rain is set in New York City, 1995, as Walker Janeway and his sister Nan reunite with their childhood friend Pip to read the will of their inscrutable father, famed architect Ned Janeway. After a shocking bequeathing of assets, long-hidden secrets and repressed memories are unearthed as the three attempt to make sense of their parents’ inexplicable lives. Act two finds the same three actors portraying their parents in 1960, where a creative dilemma and romantic entanglements are revealed that none of their children could have imagined.
Three Days of Rain is directed by Simon Irving, featuring Sam Harris, Noelle McCabe, and Zach Sanders, with designs by Michael Chinn (lighting), Madison Gordon (costumes), and Kyna Shilling (set and properties).
September 28-October 6, 2018
September 28, 29, and October 1, 4, 5, & 6 at 8pm
September 30 at 2pm
The Slate Theater: 815 Seattle Blvd S, inside the Inscape Arts Building (The Old Immigration and Assay Building). The Slate Theater is ADA compliant.
$20 Standard Admission
$15 Military, Students (with valid student ID), Youth 25 and under, and Industry (with ID: TPS/AEA/IATSE/LMDA)
There will be a Pay What You Can performance on Monday, October 1. Tickets for this performance are available for a $5 minimum online, and any amount at the door.
Produced in partnership with Penguin Productions. Penguin Productions is powered by Shunpike.
ABOUT ALBATROSS THEATRE LAB
Albatross Theatre Lab provides early-career theatre artists with a space to both cultivate and showcase their unique artistic visions. Building from a strong community base, Albatross highlights the exciting, imaginative work being produced by emerging artists in the Seattle theatre community, while also encouraging these artists to experiment, grow, and develop their own creative voices. Albatross was founded by a small group of former members of The Bathhouse Ensemble (BE) and signals an evolution of BE and a step toward the future.
ABOUT CO-PRODUCING PARTNER PENGUIN PRODUCTIONS
Penguin Productions engages, empowers, and creates artists. Through theatre, they nurture creativity, passion, and empathy. Penguin believes people of all ages and experience levels can be theatre artists, and that their work expands capacity for personal and communal engagement. Penguin Productions is powered by Shunpike. About Shunpike: Shunpike is the 501(c)(3) non-profit agency that provides independent arts groups in Washington State with the services, resources, and opportunities they need to forge their own paths to sustainable success.
Heathers The Musical
A Benefit for the It Gets Better Project
Based on the film written by Daniel Waters
Book, Music, & Lyrics by Kevin Murphy and Lawrence OKeefe
Directed by Georgina Spelvin
Musical Direction by Dustin Schisler
Costumes by Jordan Sloan Frost
Best friends, social trends and occasional murder. It’s September 1989.on account of her uncanny forgery skills, smart girl Veronica Sawyer is taken into the tight circle of Westerberg High’s popular girls known as the Heathers (because, duh, they’re all named Heather). But with social popularity comes a level of cruelty that Veronica can’t stomach, and she quietly defects from the inner circle. Hooking up with moody bad boy, Jason “J.D.” Dean, she becomes complicit in his homicidal takedowns of the school’s popular crowd. Wickedly funny, oddly romantic, relentlessly intense, and occasionally powerful, this is a surprisingly truthful parable for anyone who’s ever been in love, in trouble, or in high school.
Performances are April 6, 7, 8 and 13, 14, 15 Friday & Saturdays @ 8pm (Doors @ 7pm), Sundays @ 4pm (Doors @ 3pm) at Erickson Theatre Off Broadway (1524 Harvard Avenue, Seattle).
Note: Though our show is all ages, parents should be aware that Heathers contains multiple R-rated scenes presented in a darkly comedic tone that include sexually explicit jokes, course and potentially offensive language including sexual orientation and body shaming, instances of simulated suicide, sexual assault, gun use and school violence, as well as simulated teenage sex, drinking and drug use.
Heathers: The Musical was originally directed Off-Broadway by Andy Fickman and choreographed by Marguerite Derricks. Heathers The Musical is presented by special arrangement with SAMUEL FRENCH, INC.
For more information, please visit www.pullmanvspaxton.org or like us on Facebook at www.facebook.com/pullmanvspaxton
They’re symbols, sure, but you can also think of them as good user interface design. New Capitol Hill Arts District medallions are being installed across the neighborhood to help identify the 40 or so cultural and arts spaces part of the district.
“The medallions are a low-tech complement to the Arts District website, Facebook page, and the dozens of online event calendars,” Michael Seiwerath of Capitol Hill Housing tells CHS about the new additions to the neighborhood streetscape. “On a Saturday night, Pike/Pine can attract more people than Key Arena, so it’s a good marker for the thousands of people who visit the neighborhood each week.” Continue reading
Where do small theatre companies take the stage when their affordable performance spaces can no longer afford the rent? While many actors having long been priced out of the neighborhood, the Capitol Hill theatre community is losing another piece of its charm: affordable rents.
Rik Deskin, the founder of Eclectic Theater, has announced the end of the venue’s 11-year run on 10th Ave at the end of the month.
“We knew that we had a five year lease, and we knew the end was coming. We started exploring the possibility of renewing the lease,” Deskin said. “At the same time, we were having difficulties paying the current rent so we decided to not renew the lease. We heard from some other people who looked into it that he’s expecting $3,500 a month for the space, which is ridiculous in my opinion. With no upgrades, not that I’m aware of.”
“Capitol Hill is the densest area of arts and culture businesses and organizations in the state,” says Tonya Lockyer, executive director at the neighborhood’s globally respected Velocity Dance. “Imagine if you have this incredible natural resource — creative businesses, organizations, and people. When that is threatened, you want to preserve it.” Continue reading
JOANNA KOTZE (NYC) / KIM LUSK (SEATTLE)
It Happened It Had Happened It Is Happening It Will Happen by Joanna Kotze
in a special split-bill with Seattle’s Kim Lusk
November 3-5, 2017
Velocity Founders Theater
Award-winning New York choreographer Joanna Kotze will be joined in this special split-bill Guest Artist Series performance with rising choreographer and local favorite Kim Lusk.
It Happened It Had Happened It Is Happening It Will Happen
Choreographed by: Joanna Kotze in collaboration with the dancers
Performed by: Raja Feather Kelly, Joanna Kotze, Netta Yerushalmy
Music by: Dave Ruder
Costumes by: Reid Bartelme
Lighting Design by: Kathy Kaufman
Joanna Kotze’s It Happened It Had Happened It Is Happening It Will Happen—a site-responsive piece drawing from Kotze’s background in architecture—won her a prestigious New York Dance and Performance “Bessie” Award for Outstanding Emerging Choreographer. Acclaimed trio Raja Feather Kelly (Princess Grace Awardee and 2017 Seattle Festival of Dance Improvisation instructor), Netta Yerushalmy, (Guggenheim Fellowship in Choreography) and Kotze will perform the piece in its West Coast Premiere at Velocity.
It Happened It Had Happened It Is Happening It Will Happen which confronts the seductiveness of classifying, ordering, and structuring, while attempting to hold onto the character of the unnamable, vulnerable, and imaginable. Playing with ideas of performance, intimacy, and space in our digital age, the dancers’ physicality and vulnerability are viscerally felt, as breathe, sweat, stomp, clap, and dance in close proximity to the audience.
Trio in Silver
Choreographed by: Kim Lusk
Kim Lusk—Velocity’s 2018 Made in Seattle artist—will showcase her first full-length work, Trio in Silver, before it premieres in its entirety at Velocity next spring. Lusk has developed much of her work at Velocity through the organization’s residency, production support, and mentorship.
She’s Still At Large!!
“Chainsaw” Announces Encore Performances – Fri. June 23 & 30, 8pm
Producers announce Mark “Mom” Finley’s new one-man show Someone Get Me A Chainsaw! which recently played to packed audiences at INArtsNW (1633 17th Ave.) for Capitol Hill Artwalk’s Pride kick-off will play two encore performances – Fri. June 23 and 30, at 8pm. Tickets are $10 – reservations are highly suggested as seating is limited.
Don’t miss your chance to see legendary performer Mark “Mom” Finley in his new world premiere one-man show Someone Get Me A Chainsaw! The Stranger’s Adrian Ryan calls Finley: A natural disaster in heels! A scandal in a wig! Harder to kill than a Kevlar cockroach! And funnier than falling down a flight of stairs!
Every performance of the show is a unique collection of Finley’s unbelievable stories, funny songs, and classic performances. As the ‘script’ is chosen by random audience members out of a button bag filled with 200 possibilities as the show begins – he won’t know what he’s performing until that minute! And you wonder why she wants a chainsaw!
Finley is excited to be back onstage again. In October of ’92 New City Theatre produced his third one-man show in Seattle Life Lessons where he held each audience hostage at gun point (unloaded, of course), had them choose 12 pieces of paper out of a bag with 170 possible stories, numbers, acts, etc. He said at the time that he was telling his life story whether people wanted to hear it or not because he didn’t know how long he’d be around.
It’s been 25 years since that production and Finley has plenty to tell! The past show focused mainly on his early life growing up in a small town, traveling the world to follow his dreams and surviving New York City in the 80s only to end up in Seattle. No subject matter is off limits to “Mom”. Everything is on menu – the ups and downs – the scandals – the successes – and the surprise that changed his life.
Also Finley promises that if an audience member was part of on the evenings stories – they’ll be able to tell their side of it as well. The Capitol Hill Art Walk shows were standing room only at INArtsNW downstairs black box theater. So get your reservations now! It’s only $10 – and you can BYOB!! Come join Seattle LGBTQ+ Community’s original “Mom” – Mark Finley – for a night out you won’t soon forget!
Someone Get Me A Chainsaw! – 8pm Friday, June 23 & 30 – INArtsNW, 1633 17th Ave. – Tickets: $10 – Call 206-953-1069 for reservations.