This 2025 Pulitzer finalist wrote her novel in a Capitol Hill coworking space

Levine

If you visited the Cloud Room co-working space on weekends over the past few years, you might have spotted Stacey Levine, the writer and long-time Capitol Hill resident who this month learned she was one of four finalists for the 2025 Pulitzer Prize in Fiction for her novel Mice 1961.

“Every weekend, I would go there and work on this novel,” said Levine. “I wrote most of it over eight years at the Cloud Room. On the way, I’d pass all these people eating dinner out and having fun, and I was very grumpy because I had to keep working on the book.”

Those years of hard work paid off. In addition to the Pulitzer nod, The Washington Post favorably reviewed Mice 1961—describing Levine as a “gifted performance artist of literary fiction—part French existentialist and part comic bomb-thrower” and the novel as “a brilliant chemistry of alienation and familiarity I’ve never seen anywhere else”—and included it in their list of 50 Notable Works of Fiction in 2024.

A Cold War era novel set in South Florida on the eve of the Bay of Pigs invasion, Mice 1961 follows three unforgettable characters: the orphaned siblings Jody and her 18-year-old younger sister Ivy, nicknamed “Mice” and cruelly bullied by teenagers for her albinism, and their housekeeper, Girtle, who sleeps behind the sisters’ couch and narrates the novel. Jody, Mice, and Girtle are surrounded by odd neighbors, all preparing for an elaborate neighborhood potluck.

The novel is witty, with Levine’s prose evocative. She describes Mice as a “white-pink creature” with “milkscape” features—“peel-thin ears,” “jittering eyes,” and “cream-orange-tipped white lashes, much like two thin, tidy rows of camel hair.” Mice’s “bottomless absence of color” renders her “a shadow in reverse.”

Levine, who also teaches composition, creative writing, and poetry at Seattle Central College, has published three novels and two short story collections, earned a PEN Fiction Award and The Stranger Genius Award for Literature, and was twice named a Washington State Book Award Finalist. She spoke to CHS during a phone interview the day after the Pulitzer honors were announced.

Congratulations. When did you first learn your novel was a finalist for the Pulitzer Prize in Fiction?

Thanks! I was in my office at Seattle Central College. Karen Maeda Allman, former events programmer at Elliott Bay Books, posted something general about “Tessa Hulls, Stacey Levine, and Pulitzer Prize.” It didn’t make any sense to me. I hadn’t heard anything from the Pulitzer Prize Board. I still haven’t. I think maybe they’re known for being silent once they make their decisions. Continue reading

With six people running for seven seats, voting in the Capitol Hill Community Council election is an easy choice — and a good way to help support the restarted group

As Seattle residents prepare to vote for Mayor, City Attorney, and City Council (District 2 and Positions 8 and 9) during the primary election on August 5 and the general election on November 4, voting is underway this spring to elect the Capitol Hill Community Council’s leadership board.

After going dormant roughly five years ago, the CHCC relaunched late last summer under Paulus’ lead. The new group’s first meeting drew 80 people to the Capitol Hill Branch Library on September 10. An equally large group gathered at the Hugo House on January 22 for CHCC’s Great Ideas Festival to brainstorm what they would like to see the neighborhood group pursue. The CHCC has an active newsletter, hosts regular public meetings and Happy Hour socials, and has adopted bylaws, shared information about the Neighborhood Matching Fund program and the Seattle Police Department’s East Precinct community safety and crime prevention efforts, and launched the Capitol Hill Appreciates Program, a monthly effort to thank the “various elements of society that make Capitol Hill the great place that it is today.”

Six candidates are running for positions on the seven-member board:

  • Curtis Atkisson — A University of Washington data scientist and Capitol Hill resident who lives near Harvard and Thomas, Atkisson said, “I have experience applying for and distributing grants, and would work to do that on behalf of the people of Capitol Hill. I will learn about the resources that currently exist to contribute to our neighborhood and work to bring more resources to the things the Community Council would like to achieve.” TOP 3 PRIORITIES: Community Connectivity, Transportation, and Government/Laws. Continue reading

Remembering Slats, the original Hillebrity

Caps for Slats (Image: CHS)

The Caps for Slats mural hangs today on the Comet ceiling

March marked the 15th anniversary of the death of Chris “Slats” Harvey—an inimitable, charismatic, punk-rock presence who could be spotted at Capitol Hill’s bars, live music venues, and rehearsal studios, often wearing his signature, all-black “uniform” of a New York Dolls t-shirt, leather jacket, skinny jeans, and a wide bolero hat. Slats was a living reminder of what Seattle and Capitol Hill used to be.

A co-founder and lead guitarist of the early 1980s Seattle punk band the Silly Killers, he achieved some level of local celebrity in later years just for being, well, Slats. CHS included Slats among those who should appear on a fictional “Capitol Hill Seattle $1 Bill.” WIRED magazine’s feature article about urban eccentrics included an interview with Slats. T-shirts with Slats’ image were sold at the Capitol Hill Block Party. When he died on March 13, 2010, just one day before his 47th birthday, The Stranger announced, “A part of Seattle won’t look the same without him.”

Last year, I took a deep dive into Slats’ life to learn more about who he was beyond the iconoclastic neighborhood character. I tracked down and interviewed the Silly Killers’ co-founder; now 70 years old and living a quiet life in Colorado, he shared with me a rare, unreleased, 40-year-old Silly Killers demo recorded in the basement of a house shared by members of a seminal Seattle punk band with a future Rock ‘N’ Roll Hall of Famer filling in on drums. I interviewed his Canadian half-siblings, who recalled Slats’ summertime visits to their family’s DIY farm in rural Canada as a youth. I also interviewed his former music peers and childhood friends, and gathered photographs, show posters, and other Silly Killers-related ephemera.

My article, which offers a trip back through Seattle’s early punk-rock history and presents a nuanced portrait of Slats, is online here.

To mark the occasion of his passing, here are a few insights I learned about Slats during my reporting:

1) “The Silly Killers were certainly a big part of my music history.” — When asked to recall some of the earliest and most influential shows he attended, Pearl Jam lead guitarist Mike McCready listed Van Halen and KISS at Seattle Center, Motörhead at the Paramount, and the Silly Killers at the Laurelhurst Fieldhouse (McCready, 15 years old at the time, recalled watching the show through a window with a friend while standing outside in the dark). During its short existence (1981-1983), the Silly Killers opened for Black Flag, D.O.A., Hüsker Dü, and Social Distortion. Continue reading

After Riverdance took him around the world, dancer Tyler Knowlin’s toes are still tapping on Capitol Hill

(Image: Tyler Knowlin)

More than 4,500 miles separate Dublin, Ireland, from Seattle, but the connection is close and personal for Capitol Hill resident and tap dancer Tyler Knowlin. Between 2016 and 2022, Knowlin was a member of the international touring production of Riverdance, performing in more than 1,000 shows worldwide.

Raised in Manchester, Connecticut by his mother Frances, Knowlin was first introduced to tap dancing lessons at age five — and hated it.

“The kind of tap I did in those lessons was the sailor suit with the bow tie, the shiny tap shoes, and the pink cummerbund,” Knowlin, 40, explained during an interview at Post Pike Bar & Café on Broadway. “I was one of the only Black boys at the time. It was just miserable.”

By age 10, he started appreciating how the artform inherently created space for individual artistic expression. “Tap wasn’t like ballet, where everyone had to fit into the same mold. With tap, you could stand out. Even at 10 years old, I knew there was something free about it.”

Today, Knowlin and his partner Candy Winters live on Capitol Hill where he is a barista at Top Pot on Summit Ave.

After putting away his tap shoes and resting his feet for a few years, Knowlin is ready to perform again. Below, he shares his experiences touring with Riverdance, as well as meeting his tap-dancing idol Gregory Hines, reading lines as a teenager for a film with Sean Connery, and his next tap-dancing moves in Seattle.

Three years have passed since you performed with Riverdance. Do you still tap, even if it’s just for your enjoyment?

It never stops. There’s a dance studio on 15th Avenue that I rented for a while. I didn’t have a performance coming up. It was just to work out. I’m always tapping. Even at Top Pot, you don’t see me in the back, but I’m tapping.

Riverdance has been parodied often over the years. What’s your take on that? Continue reading

‘Keep making movies for the big screen’ — work underway for SIFF Egyptian reopening — UPDATE

As Anora director Sean Baker celebrated wins for five Academy Awards including best picture Sunday night, he called on filmmakers to “keep making movies for the big screen.”

Capitol Hill’s biggest screen will soon be able to light up again.

This week marks four months since the Seattle Central College of Fine Arts Building, home to the 570-seat SIFF Cinema Egyptian movie theater was shuttered following a devastating water leak in the building’s fourth floor mainline. The leak damaged several floors of the five-story, 110-year-old structure which houses the former Masonic Temple where SIFF Cinema Egyptian operates. Continue reading

Theater kids push back on Seattle U’s big plans for new art museum to replace Lee Center

(Image: Lee Center for the Arts)

(Image: Lee Center for the Arts)

Big plans for Seattle University to create a new art museum along 12th Ave are exciting for the school but some of those closest to the school’s art scenes are rallying to save the much-loved and heavily used building it would replace — the Lee Center for the Arts.

It has been a busy 12 months for Seattle U, the 134-year-old private Jesuit school on Capitol Hill’s southern edge serving approximately 7,200 students.

In December, the school announced it would take over Cornish College of the Arts, the much smaller, 111-year-old private art school in the Denny Triangle neighborhood downtown. Last summer, property developer Dick Hedreen announced he would donate to Seattle University his family’s $300-million collection of more than 200 pieces of art (from Andy Warhol to Roy Lichtenstein, Robert Rauschenberg to Willem de Kooning, and more), in addition to $25 million in seed funding to create a new Seattle University Museum of Art (SUMA).

“We’re still working out logistics of the museum’s location, but it will likely be on a plot abutting 12th Avenue next to the Lee Center for the Arts,” a Seattle University spokesperson told CHS last year when Hedreen’s sizable donation was announced.

Those logistics are a little clearer now, as planning is underway for SUMA’s construction to begin in the summer of 2026, Seattle University told CHS this week. The new museum will replace the Lee Center. Continue reading

Capitol Hill, your long wait for Carmelo’s Tacos on Broadway is nearly over

@FifthCrichton, your wait is over

Its signs have been up for months and the space looks ready for customers. The time has finally come for Carmelo’s Tacos on Broadway.

Early last year, CHS reported the family-owned destination for Mexico City-inspired street food planned to open a new spot in the former Starbucks space at the corner of Broadway and East Denny Way. Workers installed colorfully branded signage, and passersby could peek through the windows to monitor the build-out’s progress, imagining the beefy and cheesy griddled quesabirrias served with a side of consommé for dipping, chorizo-and-steak campechano tortas, and cinnamon-dusted churros served with vanilla ice cream and Nutella drizzle.

A year and a lot of passersby later, the new Carmelo’s Tacos on Broadway has yet to open.

“It has taken longer than expected, for sure,” Carmelo’s son, Raúl Delfin, told CHS last week. Continue reading

Voices Off Lounge, a hub for the Deaf community, now growing on Capitol Hill

A flyer for the grand opening of the Voices Off Lounge with an illustration of purple signing hands in motion

A note about CHS alt text: As a small community news provider, production time on the site sometimes gets cut short and we have frequently fallen short of the mark when it comes to certain usability features. Adding useful, descriptive alt text to our images is an ongoing challenge but we’ve been hoping to do a better job with it. For this story on the communities around Visually Speaking, it is a good time for us to pledge to do better. Alt text is a valuable element for all users. Please provide feedback as we try to make sure to meet a higher standard with all of our images here and across our social media posts and updates. Thanks!

An image showing the front door of the Voices Off Lounge. Through the glass, a black and white checkerboard floor is visible.

(Image: Visually Speaking)

Since moving to Capitol Hill 15 years ago, Kellie Gillespie has wanted to create a safe, inclusive, and dedicated space that could serve the Deaf and hearing communities alike by offering opportunities to socialize, network, and teach/learn American Sign Language.

“I’ve toyed with creating a space where ASL thrives,” explained Gillespie, the CEO of Visually Speaking, a company that offers ASL courses taught by Deaf instructors.

“Over the years, conversations with others made me realize that I’m the one who has to make it happen. ASL students often asked me, ‘Where can I go to practice?’ I never had a good answer—until now.”

This weekend marks the grand opening of Capitol Hill’s Voices Off Lounge. Located in Broadway’s 1905-built Capitol Crest Building—in a walk-up space formerly occupied by ACE Barbershop and $pent Studio—the new venue will offer a variety of six-week ASL courses taught by Visually Speaking instructors with hopes of also growing as a hub for the Deaf community.

“There’s an overwhelming demand from students who want to continue signing and Deaf individuals in desperate need of social spaces,” Gillespie tells CHS. “This new space is not just for ASL practice—it will serve as a dedicated place for community-building.”


The Voices Off Lounge will host two grand-opening celebrations—one on Fri., Jan. 31, 5-8 p.m., for the Deaf community (Deaf, DeafBlind, Hard of Hearing, cochlear implants, hearing aids, and no-voice/mute); and one on Sat., Feb. 1, 5-8 p.m., for all community members (hearing and Deaf). More information about Visually Speaking and the Voices Off Lounge is available online here. You can sign up for their newsletter here.


This isn’t the first iteration of the Voices Off Lounge. Two years ago, they partnered with Seattle Restored, a City of Seattle program that reactivates empty storefronts, to open a five-month pop-up downtown at Second Avenue and Spring Street in offices formerly occupied by the Washington State Department of Licensing. That experience inspired them to spend most of last year scouting locations, forging partnerships, and gathering input from the Deaf community to open another Voices Off Lounge pop-up, this time on Capitol Hill.

Continue reading

Pedestrian corridors, public restrooms, and a neighborhood name change highlight Capitol Hill Community Council’s Great Ideas Festival

(Images: CHS)

What would you include if you could make a wish list for Capitol Hill? Cleaner streets? Safer public parks? Affordable housing? CHS commenters have no shortage of ideas, for sure. But on Wednesday evening, dozens of people—including Seattle City Councilmember Alexis Mercedes Rinck and a representative for Councilmember Joy Hollingsworth—gathered inside the Hugo House’s Lapis Theater for the Capitol Hill Community Council’s (CCHS’s) Great Ideas Festival to brainstorm what they would like to see the recently revived neighborhood group pursue.

During the 90-minute meeting, attendees jotted their ideas down on Post-It notes and displayed them on a wall under nine categories ranging from public safety to parks, transportation to planning development, arts & culture to sustainability, and more. Hands down, the most interesting board included ideas for the catch-all “Everything Else” category—rename Capitol Hill to Capitol Mountain, bring back the Mystery Soda Machine, and open a combination yarn store and sex shop. Visitors were invited to take the stage and share their ideas toward the meeting’s end during a one-minute “lightning round.” Continue reading

New Galerie Orsay Paris-Seattle brings a French connection to Broadway

(Image: CHS)

(Image: CHS)

Like many first-time Seattle visitors, Simon Lhopiteau was struck by the city’s natural beauty when he first visited five years ago.

“Between the mountains and the water, what I recall is being able to breathe good, fresh air,” Lhopiteau, an art historian, curator, and dealer, recently recalled. “In Paris, it doesn’t exist.”

After moving from Paris to Seattle two years later with his husband, Romain Darde, an international contract attorney at Blue Origin, the vibrant, active, and open-minded art community inspired him to open Galerie Orsay Paris-Seattle on Capitol Hill.

Located in the Loveless Building at the north end of Broadway’s commercial strip, the gallery occupies the vacated storefront occupied for 10 years by the clothing company Freeman. It’s an expansion of Lhopiteau’s Paris gallery, which he opened in 2004.

“When we were considering moving to Seattle, I thought about either getting older in my gallery in Paris or getting younger with a new adventure and a new gallery in Seattle,” Lhopiteau, 59, explained. “I chose to get younger!” Continue reading